Fabio Borg tackles abstract expressionism with ‘MoodScapes’

Last Saturday, January 12,  the highly esteemed yet down to earth Fabio Borg debuted an experimental new collection in Mqabba. The paintings of ‘MoodScapes’ will adorn the walls of il-Kamra ta’ Fuq until February 2.

As the latest step in his prolific artistic journey, Fabio Borg debuted a new collection of works titled ‘MoodScapes’. With this exhibition, Borg is moving away from the well-known landscapes and treescapes of his former works, towards abstract expressionism by experimenting with new media and compositions. Though echoes of these settings persist, Borg has started looking inward. Now, the artist projects his inner mood onto these landscapes to create abstractions that reflect how he feels.

This time, Borg uses only his inner vision, not real landscapes or photos, as sources of inspiration. The end result is a collection of pieces with strong, vivid colours and aggressive lines that evoke a range of natural moods and feelings. This produces an eye-catching balance between the artwork’s vivid colours, assertive lines, and spaces that create depth in the paintings. Furthermore, each painting’s title depends on how the finished product makes Borg feel, further contributing to that theme of moods.

This exhibition is being curated by Melanie Erixon, a prominent person in the local culture sector. Earlier last year, Erixon was inspired by Borg when he visited il-Kamra ta’ Fuq one fine morning. The artist recounted the experience of holding his exhibition ‘Radici’ in Rome, and Erixon quickly became eager to collaborate with Borg and host a collection of his at il-Kamra ta’ Fuq. After being offered his own solo exhibition at Il-Kamra ta’ Fuq, Borg created this entire collection within just a few months. 

melanie erixon and fabio borg

The somewhat rushed manner in which Borg put this collection together motivated him to experiment with different mediums in addition to his usual acrylics. He even chose to apply the ‘alla prima’ technique, whereby wet paint is applied onto still drying paint in order to complete the painting in one sitting and make it as authentic as possible. These pieces were made using acrylic, oil pastel, and even pencil. Actually, most were executed on paper due to lack of fresh canvases.  Moreover, since the paintings were made within a short period, the collection came out very cohesive with a touch of originality that connects everything together.

‘MoodScapes’ will remain open at il-Kamra ta’ Fuq until February 2. Exhibition hours are updated weekly – visit the gallery’s Facebook page to stay in the know!

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