Maltese Film Luzzu Makes Waves in The New York Times Best of 21st Century List
If you’re heading to Malta and fancy going beyond the beaches and baroque, here’s a cultural gem to add to your itinerary. The critically acclaimed Maltese film Luzzu has just been recognised on a global stage. American actor and comedian Patton Oswalt singled it out as one of the best films of the 21st century in a feature for The New York Times.
Directed by Alex Camilleri, Luzzu is a profoundly moving tale embedded in the everyday life of Malta’s traditional fishing community. The story follows Jesmark, a fisherman struggling to keep his livelihood afloat amidst growing economic pressures and environmental challenges. It’s a poignant and beautifully shot film that captures both the hardship and resilience woven into Maltese coastal life.
What sets Luzzu apart is its authentic approach. It’s filmed in Maltese, features non-professional actors, including real local fishermen, and paints a picture of island life that feels honest, raw, and real. No glitz, no gloss, just honest storytelling and a genuine look into a way of life that’s slowly disappearing. The iconic luzzu boats, with their bright colours and watchful eyes painted on the bow, become a symbol of both heritage and hope.
Patton Oswalt, known for roles in Ratatouille, The King of Queens, and Parks and Recreation, chose Luzzu alongside global hits like City of God and Children of Men, making its inclusion all the more remarkable. For a small independent Maltese film to sit alongside such cinematic giants is no small feat, and a proud moment for the island.
Whether you’re a film buff or just curious to discover more about Maltese culture, Luzzu is well worth a watch. If you get the chance to catch it while you’re here, or even when you’re back home and reminiscing, it offers a thoughtful, touching look at life beyond the tourist trail.
So while you’re tucking into fresh seafood by the harbour or exploring the island’s quieter corners, spare a thought for the real stories behind the scenes. Luzzu captures them beautifully.
